Specimens

Does it make sense for writers to go back to works that readers have already invested time in?

Your book, Doubt, is a history, not a call to arms. Where do you stand on the New Atheist movement?

For you, is there any relationship between composing music and the idea of a sculptor working a raw chunk of stone [toward a] form that had been waiting to be discovered?

Would you mind relaying a bit about your experiences in the lab, the kitchen, and the writer's desk - how they may have fed each other, for instance?

Your Brazilian residency: Why were you there?

So what do you think makes a magazine good. What are good ones now?

Welcome to the Hotel St. George Interrogation Room. Do you know why you're here?